Our House

The cancerous floral proliferation of a creative-minded child

Can conjure rabies in a Dad like Snow White’s poison apple.

 

It goes: fresh undulating capillaries form, at dreamtime, ‘neath

The foundations of a country home conjoining not one, but four

 

Four children to the central Nervous system of a hardwood,

cross-borne body turning every virgin dandelion to oak

 

They cast each stem in pitch and resin

instill the fear of God in amber bones.

The cinders dance like lightning bugs

Over the bonfire’s conflagrating trepidation.

 

You struck the rock, prophet

with a shovel until 

yellow cryptograms strewn out

rose in the breeze relieved the

rustling of bible leaves on your neck.

Broke your voice for us like

a pomegranate offered me a seed

with pain in your face I liked

to stare at and searching

my head frantic, your eyes were a little boy

 

some treasure always spread encrusted

under the first layer of earth

handed us linens and grandmother quilts

to cover over ground. You ached 

for a death 

we’d need to stir the dirt

a stir perhaps pull out a waif

in your old clothes. people-

clients told me despite it all

I looked like the soul

of my father. A sacred pause

in me each instance. That night

I stirred through my head words 

to find a gentle lure for your ghost

without you even knowing. 

a broken ballad of sweet cherry wounds and where they come from

 

When it’s time to undress, I hook my lip like a curtain

pulled back, and it’s what you’d expect.

A grimy finger digging a gemstone ulcer, the sore utterance

that sat salted and festering just inside my cheek for 2 years.

I bite it when I speak, fall asleep to its pulsing ache

and wake up with a lolling head full of seawater,

but I do not bleed.

 

I did bleed from the knee

when I was 14 and fell from my bike,

watched the glittering cherry-pie opening in my skin

as it stitched itself hair by hair together before my father

saw. Before he could find out I zoomed to the elementary school

down the road to meet on the tracks with a boy from second grade

who I’d converted to Christianity.

 

A tiny backpack-bible had sat on my desk like a brick

and seeped stone juice, I recall crisply how my mouth watered

at the gold-leaf paper, wafting the same smells as cherry wounds

I’d forced myself not to drink though I ached to:

I’d like to rend my cracked lips and suck their supple

blistering sin from my skin like a mother lioness.

I’d like to nurse the fruit-rot dessert into ingrown fruition.

 

If I hadn’t eaten my bible, maybe I’d have blossomed

In yellow explosions like the honeysuckle I pointed out to you

along the railroad tracks, maybe my father’s face wouldn’t

have contorted like rotted vines, maybe he’d not have

retreated underground glistening invisibly among

the charred grubs. When they saw my wounds

my family receded like singed frayed

hairs dragged on the dampened sidewalk like

a leash without a dog but the biting under-earth smell

still there, trapped in my own hair, smearing me

across the flat clouded years.

 

Maybe if they’d known that when it bubbles, my cherried palm

crowns nuggets of gold which I eat to glow. Little do they know

I am one of those goldleaves, the rotted tar sugar of cherry

Potholes in the road, the unfurling fresh hot truths from

Broken skin, the chugging of the railroad which

Ticks out the lifecycles of honeysuckle blooms that

Rattle as no train passes.

 

I remember clearly they’d rattle quietly without dropping,

underbrush lilting against the heaven-bound train

towards a sweet Jesus future of endless blood.

crisply speaking stories which taste like distinct copper

filaments found in the body, in the tracks beneath the train,

the human brain, and the innocent glistening wound from

elementary school when time stopped under the sun to

inscribe a girl in god-history

in the neighborhood’s very veins.  

 

So here, I am naked now; this is my body,

My blood and my chugging seawater head

On repeat underneath the empty sidewalk

of my old town, a broken bicycle leaning

in the rain like a rusted shut music-box

streaming copper in silent refrains.

Species—Micromphale*

*“Delightful small people but smelling strongly of garlic.”
-Suzanne Lucas: In Praise of Toadstools

Shy little boys cling to the waistcoats
of trees with their caps pulled low.
Little boys run, sending up spores and dust,
they stretch their hyphae
into community pantries

sprouting upwards from volvas (not vulvas)
and skidding their fungal feet into the
neighbors’ Earthen carpets, Into worm-filled upholstery,
Into the sighing screen doors wafting food spores
which graze their Laccarian gills, but their

little-boy mycelium never root. Not in concrete,
tile or pavement, but they float and flay their scales
to fan the ground and dance over fertile soil releasing
from their fruiting bodies: Asci first, basidia when
that won’t work, popping Blisters

in the ground with secret names.
Growing bodies twice their stalk-lengths, bursting through
the annulus, little boys curl, purpling, rebirthed
from dirt, crown bulbous heads like saprophytes,
to eat the neighbors’ cats—or, they bend

brittle-stemmed, shimmer darkly and
sleep outside on beds of moss to dream up
spotty mushroom rings who glisten like the star-
white backs of grubs in twilight dew,
barely beneath the earth’s dark gemstone crust.

“It was found only twice in solitary grace, on earth banks under beeches and quite ravishing with the loveliness of grey and white and a dancing form. Two of the painted group were successive stages of one toadstool.”
-Lucas

Hymn of the Rescinded Daughter

I stepped into the room of stone.
I stepped onto the mark
I stepped upon the soiled throne
Whence rained around me sparks

Whence walls ignited, white as fear
My limbs, enthroned, went slack
Skulking vernacular pricked the ears
‘fore silence barked forth black

And whilst I clench myself to stone
And whilst I grit to life
A regent kin emblazoned bone
Now bellows charring art

Thee, in-furling shards of truth,
Are blemished from within
I ache to flare these injured texts
To sear in script
your every sin.