Poetry

Trying is digging up under old skin

Try writing about pain.
Never rests on the skin it is
Within inside, the depths, always,
the down the browbeaten city by city
Tar-black for miles open wounded rubble
Un-glowed organs sticking under bridges
Reverse emanation, the dusty heat and exhaust
A filthy wilted wrist like a child’s and
Is brown. Is brown like a sinking ship
The splintered wood like incense
Brown and thusly dim
Scrub it raw til it—
So many things are like,
Something that doesn’t
Exist in language.

Each photograph mother stark with specific eyes.
Ghostly bright in search, tearing fear
Fearing find or a fresh fruit-crisp birth next
Formula tubes too formulated to rot second chances,
Third chance, a headdress of food stamps,
Pa’lante.

You my ever looming father sleeveless
battered body leant to a small cat.
You emanated into her
your stored, storm, clearwater countenance boiling
Out into not saying everything ever and you cupped,
Vowing your rough palms,
Your hands around a final marigold when
You shielded it
From sun.

The thinking sound of a wooden spoon in the pot
And the weak light in the living room we
All sat on the purple rug our raw bare legs
We traders and negotiators huddled, handling
Grimy playing cards like runes each others’
Secret-Secreted-Sacred wishes for each other
Standed on trees with purpose
And speaking ourselves bigger and
Beautiful-er with importance
In our network’d vines of a beautiful mind
Worth, necessary, serious, our lives depended,
Listen, I’m serious. My younger brother
Delivered a monologue about galaxies.
Respectfully I injected magic into it with
Two precious careful words settled then
decided them we, lulled
By nodding heads
We all headed out after supper we
Messy-headed dirty-handed brimming
Went away
For who knows a century
Or the length of a new sun a
Whole bible from a
Different universe’s world.

A leaping fire entered me.
It struck alight with each eye.
I wanted burningly nothing more
Nothing nothing more than something
Soft and warm like other human skin
To begin a prelude to a prologue
To a thick brown novel been loved.
To a leafed, winded and heart-heavy
Volume of body shifting architecture
In phrase by through crossed thought
Out phasing crack of the conscious
When it encounters conscience
Twin infants with wide wide eyes
Small curled star clusters with
Prophecies rolled and tucked into
A locket or their necks.

On the nasty human heart

 

Here I’ve really overworked my physical heart. Not the metaphorical manifestation, but the one that has flesh and clumps, compresses and thumps not like a bird, but like the flaring flanks of a horse. The heat of their own selves steams them. As does my heart. The one in my body, the one charging my limbs and spinning my mind with its pulleys. I have heart palpitations which are harmless at best. I have left too many handprints on it, so that it now feels raw to the touch: the sticky red lollipop left on the rug. Hairs twanged all over. It’s disgusting, yes, you reacted correctly. But it’s my non-metaphorical face that you insult when you recoil. It is one in the same–If you didn’t want to feel its grime on your fingers you should have avoided this–A heavy lump, a warm and living spirit clustered like a dying star. It bleeds constellations out onto the desk. I made a print to hang on my forehead. How fucking stupid could I have been? Now what’s left: a scrap of torn paper nailed to my skull dead-center so everyone passing squints and then quickly looks away.

To be relentlessly strong and kind
Like melted glass flashed into stone,
An ancient alchemy, when
Breaks the cold water all over it.

How could my back be stacked
On the same grime the same grime
Would my ears be above water
When multitudinous, dread
spreads like coral beneath my feet.

I can erode.
I am unfortunately a sculptor.
I slipped and cut my own hand with
My own tool, and glanced over my shoulder
Just in time to see you chipped
And my world’s sky grew deep-sea nebulae.